“At this point a lot of DJs would look at you crazy if you said, ‘I’m a something DJ,'” Joy says. Joy has inhabited a number of music scenes over the past decade or so-he cut his teeth spinning records at underground raves as a teen in Minneapolis before moving on to clubs in Providence, Boston, and now Chicago-and all of them have influenced his style as a DJ and producer. Evil’s blackmail scene from Austin Powers-they’re downright rowdy. By the time he drops a heavily tweaked remix of Lil Wayne’s “A Milli”-with the song’s original loop replaced by a chopped-up sample of Dr. Eventually the combination of his selections and his infectious energy gets ’em moving. He bounces around behind the decks, knocking back drinks and spinning everything from big-club techno to Police remixes, looking for a reaction. Joy seems intent on getting their attention.
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The gig confers some prestige, but the crowd is full of Kanye fans who seem more interested in group beer chugs than dancing. It’s 11 o’clock on a Saturday night and Willy Joy is working one of the most simultaneously sweet and difficult gigs in the city: opening for former Kanye West DJ A-Trak.
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